In the first part you were talking about how no artist wants to work on other people's IP. I just gave you an example for the many possible cases where it makes sense; and even artists can see the value in that and make not entirely emotional decisions.
BT may not be in a position that's totally similar to ours, but it can still easily be a situation where it makes all kinds of sense to work on Gears instead. We don't know and probably won't for quite a while longer.
Some fellow artists I know in Vancouver were certainly proud that Gears is now a local project.
BT may not be in a position that's totally similar to ours, but it can still easily be a situation where it makes all kinds of sense to work on Gears instead. We don't know and probably won't for quite a while longer.
Some fellow artists I know in Vancouver were certainly proud that Gears is now a local project.