** This is perhaps the most distorted, dirty and sickening scene in Bowling For Columbine. On this page I will show you - line for line - how Michael Moore tricked his audience into making think Charlton Heston is a fool.
In sharp contrast to Bowling for Columbine's sycophantic and boot-licking interview of Marilyn Manson, the climactic interview finishing off the movie with then National Rifle Association President Charlton Heston is a sham. But what is so sickening about this sham is that it is the smoothest in the film, and possibly the most effective. At the end of the segment, the audience is left thinking that Moore is a genuine concerned crusader, and that Charlton Heston is ignorant and apathetic.
Anyone fooled by this disgraceful display has fallen victim to a deliberate trap, carefully laid out by Michael Moore. The impression of a crushed and foolish Heston is the result of a very intricate set-up that relies on previous preparation and fabrication. It is an illusion that Moore has set up beforehand and like a magician, is all in the presentation. So lets walk through the scene and see if there isn't more than what we see face value. Let us examine why exactly Heston looks so bad in this interview in BFC and reveal how Michael Moore stacked the deck against Charlton Heston.
At the Toronto international film festival, Moore said:
"I was really just too shocked to challenge him on what he said at the time, which I probably should have," said Moore. "But I wasn't even really there to debate the gun control issue with him, but to ask him why Americans are so different than Canadians," added Moore in explanation."
Unsurprisingly, Moore is deceptive from the beginning. He engages in some deceptive small talk with Heston designed to make him believe that Moore is not anti-gun, which he is. Moore shows him his NRA lifetime member card. Chuck couldn't be nicer. Makes time to see Michael through the informal process of his gate intercom and invites him into his home.
The 'because I can' trap
Remember that Heston thinks he's talking to a fellow NRA member doing a favorable piece on firearms. He is not on the defensive. He has different presuppositions than Moore does. Therefore when Moore asks Heston why he has firearms in the house, Heston answers that it is his right to. It is easy for the viewer to forget that Heston does not know he is being challenged, let alone set up, and thus does not take the question as an argument.
'I Agree with Handguns' LIE
Michael Moore has to lie to Heston to solidify the fabrication that he is not there to ambush him and make him look stupid. So when Heston says yes, he does have guns in his house, Moore says he "totally agrees" the Second Amendment gives Heston this right.
But again, this is just Moore lies. Earlier in BFC, we see Moore interviewing and ridiculing a pro-gun supporter of the Second Amendment. Moore makes clear that he supports gun ownership only for hunting and not for self defense like he just agreed to Heston about. Moore also said on his website and even to Phil Donahue that yes, he's for a ban on the sale of handguns because "we don't need handguns." (1)
The comfort factor
Moore asks why Chuck keeps his guns loaded in his house.
- TAPE CUT -
The 'bloody history' trap
Moore tricks Heston into looking foolish over the 'bloody history' trap when asks why America is the only country that has this so called gun epidemic. He says that
(Moore): "Many people say, they don't have guns around, ya know, it's hard to get a gun in Britain or Germany or whatever...But we went to Canada, and they have 7 million guns in 10 million homes."
"Canada is a nation of hunters, they have millions of guns, and yet they just had a few murders last year." Moore gives away his deception and contradiction here as he's talking about hunters, who use rifles.
Heston: I think American history has a lot of blood on its hands
Moore: oh, and German history doesn't, British history!?"
Heston: I don't think as much
Moore: (surprised) Oh, Germans don't have as much?? Of blood on their hands?
Heston: Ah, they do, yes.
Moore: The Brits? They ruled the world for 300 years at the barrel of a gun. They're all violent people. They have bad guys, they have crime, they have lots of guns
The Race Card trap
This is a very important point to notice, observe and understand in the interview. In this part of the scene, Moore sneakily sets the trap of making Heston support his thesis of the ignorant white man being afraid of the scary racial minority.
Moore: But you don't have any opinion as to why we're the unique country, the only country that does this? That kills each other at this level with guns.
Heston: Well, we have, probably a more mixed ethnicity, than other countries, some other countries
Moore: ...So you think it's an ethnic thing?
(Moore effectively projects his own racism onto the viewer, making Heston's response appear as a retraction.)
Heston: Well, I don't think it's - I wouldn't go as far as to say that - We had enough problems with civil rights in the beginning
Again, Moore is making it look like Heston is going back on what he just said when he is actually clarifying. By the follow up question, Moore made it look like Heston said "it's an ethnic thing" and then when Moore pressed him on it he said "well, no, it's not an ethnic thing."
But reread what happened. Moore's question was "why are we the ONLY one's that do this?" Heston simply said he doesn't think that we ARE the only ones. Being a vocal civil rights activist - one who marched with Martin Luther King and made public comments and statements on the matter long before it was popular, Charlton Heston is one who is inclined to know that America is the melting pot of the world. The most diverse country there is. Remember that Moore just seconds ago said about these other countries that "They're all violent people. They have bad guys, they have crime, they have lots of guns." So take a percentage of all those groups who in turn have a percentage within them of violent, gun wielding bad guys, and mix them all together. That's America. If you concede that all other countries have a percentage of violent gun deaths, as Moore did,, it is only honest to acknowledge that taking parts of those countries and adding them together, the simple math will result in a number of gun deaths itself.
The racially divisive Michael Moore presses on -
Moore: Well whadda you think - when you say it's a mixed ethnicity - I don't understand
Heston: You said that how is it that--
Moore: --that we're unique--
Heston: --that so many Americans kill each other. I don't know that that's true.
Hit the nail right on the head, and actually debunked the major thesis of Bowling for Columbine in one swift stroke. We just don't see it this way because we don't understand what he's really saying and Moore doesn't let us. This is largely in part that Moore keeps pursuing the point under his own assumptions instead of actually listening and responding to what Mr. Heston really told him, as well as the fact that we've watched 1 hour & 57 minutes of propaganda telling us that gun nuts are racists and blame ethnic minorities. But the trick on the audience works perfectly. Just take this quote from poppolitics.com that assesses the general audience perception-misconception about this part of the interview:
"Moore pushes on, pressing Heston to come up with possible reasons for the States' inordinate rates of gun violence, Heston hems and haws, suggests "historical" proclivities (until Moore points out that Germany and Japan have violent histories and remarkably low gun violence stats), then finally blurts that it must be bound up in American "mixed ethnicity." Moore doesn't wait, but repeats the phrase back to Heston, who blanches when he hears his own words come back at him."
Totally false account of what happened. Yet completely in tune with the general perception of the scene.
Heston: The only answer I can give you is the one I already gave you.
Moore: Which is...?
Heston: Which is that we have a...history, of violence. Perhaps more than, most countries.
The answer is accurate by all accounts.
The 'I Hate Kayla Rolland'/Get out and Vote, Flint Rally
Moore says that "after that happened, you came to flint and had a big rally." Heston says "so did the vice President." Another point that refutes Moore's dishonest claim - but we don't know it because earlier in the movie we were told that Heston's rally in flint was a big 'pro-gun rally' and were made to think it was insensitive to gun attacks. As I detail on another page, the reality was that it was that it was a 'get out to vote rally' that yes, the likes of vice president Al Gore & Michael Moore himself even attended.
Heston's memory of the Flint event is foggy (he says it was a morning event; in fact the rally was at 6 - 7:30 PM.). Heston's lack of recall is not surprising; it was one rally in a nine-stop tour of three States in three days.
But Moore, who has been preparing information and details on this for months (compared to Hestons off the cuff recollection), continues the false impression he has created, asking Heston questions such as: "After that happened you came to Flint to hold a big rally and, you know, I just, did you feel it was being at all insensitive to the fact that this community had just gone through this tragedy?" Moore continues, "you think you'd like to apologize to the people in Flint for coming and doing that at that time?"
Moore knows the real sequence, and knows that Heston does not. Moore takes full advantage.
The Final Attack
Then as Heston politely thanks Moore for the interview, shakes his hand and steps up to walk away, Moore drops another attack. He asks Heston: Don't you think it was "insensitive" to come to Flint and hold a big rally after this murder? Heston says that he was not aware of this murder when this rally was held. But Moore ignores it. "But, wouldn't you like to apologize to the people of Flint because you did this", Moore asks. Heston, now appearing to realize he's being had in this interview, replies, with contempt: "You want me to apologi- ME, to apologize to the people in Flint?" He doesn't. He has no reason to.
But Moore continues, asking Heston: "And wouldn't you also like to apologize to the people of Columbine for coming to their community after their horrible tragedy? Why do you go to places after they have these horrible tragedies?" Which Moore knows to be a false statement, thus being a baited question equal to me asking Moore "why do you starve yourself all the time?" Obviously making fun of his fattness, it is unlikely Moore would dignify my question with an answer or argument - and Heston takes the same route. The audience unfortunately doesn't understand this however because they've been indoctrinated to think Heston is the devil.
Heston leaves - Moore badgers
Heston says nothing, gets up out of his chair and walks slowly away from the interview as the camera follows him. Realizing Moore deceived him to make a subversive attack, Heston holds his dignity and leaves the trap he walked into. But that's not what we see in Bowling. Since the entire movie is set up to make Heston look like a buffoon, the impression in the film is that of a lost battle. The camera follows Heston walking away as a wounded opponent.
But that's not enough for Moore. He lets Heston leave for dramatic effect, as I said, following him with the camera, and THEN follows Heston outside in the most ridiculous thing I've seen since I saw stock footage of a monkey blowing bubbles on a tricycle. Moore holds up a picture of the murdered Kayla Rolland, says to him as he walks away: "Um, Mr. Heston. Just, one more thing. This is who she is. Or was." Heston turns and
"Mr. Heston please don't go. Please, take a look at her. This is the girl"
This bit closes with Moore leaving the little girl's photo propped up against a pillar in the Heston home.
The secrets behind Moore's trickery
But to some, it is not necessary to interpret or explain what Moore did to Heston. Some people know something is disgusting when they see it, but unfortunately far to many are either too stuck in a hateful ideology, or they are deceived by this crafty trick and come out of the experience with blatantly false notions that they think are obvious observations. This page is here for those interested in the truth.