Sabastian said:
I understand that my position contradicts IP laws. (If you consider music intellectual.)
People obviously do, since they take the time to steal it. (And BTW Humus, copyright infringement is a form of theft.)
the popularity file sharing shows just how unjust (IMO) the cost of purchasing music really is.
So you really don't agree with the principles of a free market and capitalist economy then?
Never mind the suggestion is absolutely false a person with some good software and computer can make as good a quality recording at home in their own recording studio.
OK, this is the statement that I really wanted to respond to. You're just
waayyy off base here Sebastian.
What software are you going to use? Most "good" software costs around $1000. And what soundcard? If you're doing simultaneous multitracking, you're talking $500 or so, minimum. Don't forget that the computer will be a $2000+ machine with SCSI array if you want to capture several tracks at once.
Oh... and then you need at least
one quality mic preamp. There's $500... make that several thousand minimum for multitracking. Oops... you need a microphone. "Studio" quality? There's a few hundred more, but that only gives you one vocal sound (and mind you, not the best either). Add several thousand more for a couple of decent vocal mics. Oh, but that's only for vocals... add many thousands more for the correct mics for acoustic guitar, piano, ambience, drums (multiple mics there), etc. Damn... those pesky drums. Yep, drum machines (even good software with recorded samples like Drumagog) don't have the same quality as a live drummer on a good set. Add $10,000. But you know, good drums sound terrible in a crappy room, so you're going to need to extensively modify your room, or better yet just build a new one with the proper geometry and acoustic treatments. Toss in another couple dozen grand. So now you have the room, and the gear... oh, wait, not quite. Even the best software doesn't have reverb, compression, and other effects matching what quality studio's use, so if you really want to recreate that sound (your assertion), then you need a minimum of a few thousand more on the basic outboard effects processing.
OK,
now you have the gear and environment necessary to have a shot at recreating the quality of sound possible in a professional recording studio. There's still that nagging problem of mixing and mastering though, so I guess you'll need several thousand more on good quality near- and far-field monitors to have any hope of mixing your quality tracks into a quality mix. I suppose you'll also need to spend a wad of cash on training courses (which of course only take you part of the way there), of more likely just invest years of your time into learning the difficult art of mixing. Mastering... that's another story entirely.
Last but not least, you need musicians to actually
play all those instruments, and actually
sing. And a songwriter.
Kinda ridiculous, isn't it? Sure, a kid and a computer can create recordings of the same quality as a professional studio... if they are also given $100,000 and a decade to learn. Is that what you meant?
I don't think today's popular music is Mozart or Bach either, but it's a hell of a lot more difficult to produce than most people realize, and a hell of a lot better quality than most people would like to admit.
Look, I have some quality mics, mic preamp, outboard A/D conversion, studio soundcard, decent mixing monitors, and a nice software package at home so that I can record my grand piano. All told, this cost me several thousand dollars. The end result is that I can make recordings of sufficient quality to document my achievements of learning a new piece, and good enough to give to friends and family. It's taken me nearly a year of tinkering to get a sound good enough to share with others, and this is for just
one track of
one instrument.
You think $15 for ten songs recorded, mixed, and mastered respectably well is a rip-off? I think it's a bargain.