randycat99
Veteran
Hence the real limiting factors come from the characteristics of the signal medium- in most cases, the digital feed (because honestly, how descriptive is something if it works out to "infinity"?). What is the smallest level it can represent before actually being "off". We already know this level should nearly/seamlessly align with the black point if the calibration is correct (can't have the signal just leap out in discrete blocks from absolute darkness, for instance- it should be just on the verge of visual detection). Once the bottom end of the digital range is fixed, then there are only so many prescribed steps available to give a range to full-on levels. Being that you cannot scale this range arbitrarily (for any maximum brightness) w/o sacrificing the smoothness of transitions from one step to the next over this range, that will essentially place a "proper" limit on the maximum brightness that is achievable. With all of these conditions in place, the "real"/operational contrast ratio will fall far short of "infinity", in real practice. (Note, this was not to say that the "infinite fullscreen CR in a darkroom" thing is not really true- just putting in a qualifying point before anyone gets too excited about infinite contrast ratios suddently being within their reach)