I really enjoyed Prometheus.
The two guys that failed as snake charmers and the captain working everything out at once were a little jarring, but were no worse than the outright retardation of the captain in the first film. I actually enjoyed Prometheus nearly as much as Alien. I only wish it had been 30 minutes longer and developed characters and events more thoroughly.
After the frankly insulting Star Trek reboot - which insulted everything Star Trek stood for at it's core while looking shit - Prometheus has given me faith that big budget sci-fi that looks like sci-fi and aims above the level of "Michael Bays of the Caribbean 3" is still financially viable.
Yes a 'cave' within an artificial structure that has oxygen producing equipment, powered doors (see how the head got removed), lights, a table/alter and murals on the walls. And also a structure that has stood up to sandstorms and the environment outside for around 2000 years.
Not just powered doors, but airtight biohazard control doors and a full on huge scale ship launching bay with massive retracting hanger doors.
And an Alien culture that sacrifices members of it's own race in an almost religious DNA spreading act uses icons and possibly practises idolatry? Oh shit, someone call for the sci-fi police because not everything looks clean and functional like it does with the current human military.
Prometheus has a pretty clear theme running through it of the children replacing their parents (humans vs SpaceJockeys, Androids vs Humans, David/Vickers vs Weyland) and of death, sacrifice and rebirth. These two themes are reinforced continually throughout the film and show that a fairly consistant attempt has been made to explore those two themes.
David even says something like "Don't all children want to kill their parents?" Oh yeah, and there's the thing about the infertile woman conceiving a monstrous baby that tries to kill her (more than once!). I'd argue that's about more than just replacing parents.
Contrast with Star Trek, where the theme is God making the Special Friends meet up no matter what (with child-kirk as their guaranteed boss and getting gifted the flagship just because).
You keep saying that the film is a choppy mess that is shifting between ideas. I'd argue it is staying largely on track with those two themes but that it has issues with clunky dialog and characters doing stupid things as its major issues.
Agree completely about both things.
I am sorry Idris Elba and his two bridge crewmates managed to create a fair degree of sympathy and pathos for what were fairly small parts in the final film. Theron pulled off the nuances of feeling that her father valued an android more than her so that she basically learned to behave like one. The geologist and biologist again created fairly memorable characters in short roles. I really don't understand you here at all - the acting was fine. What the plot got the characters to do on the other hand is where I do have issue as I have already said.
The plot got the characters to take shortcuts to keep the running time down IMO. The geologist and biologist were blatantly clunky (+ no-one on the bridge - pre-school level captain mistake) but everything else could have been fixed with more scenes and a longer cut.
I thought it was a great film. Fantastic ship too. Fucking Star Trek where everything in engineering looked like the inside of a large warehouse (with comedy pipes) was a like a hipster's version of a bad joke.
I hate the Star Trek reboot movie so much. I'm still cry myself to sleep while watching clips of Jean Luc Piccard arguing for android rights, educating Wesley Crusher on the value of truth to a Star Fleet officer and learning Q about mankind's struggle to better itself through its own efforts (note: no god co-incidences).