Saw Elysium on Sunday. I definitely went into the thing with a huge baggage of good will because I absolutely loved District 9, but this movie just bummed me out for the most part. Like District 9, Elysium's story is a rather overt allegorie. It's about something and it really wants the audience to know it too. It's about IMMIGRATION!!! and HEALTH CARE!!! and CLASSISM!!! in case you didn't realise. I generally prefer a bit more subtlety, but I'll also go with just about anything if the stuff happening on the surface is exciting enough, and initially that was definitely the case for me. Neill Blomkamp's vision of near-future earth isn't exactly new, but it's stunningly well realized. The LA slums, the robot factories, the mechanized police force - probably the film's best moment involved a robotic parole officer - to the gun porn (this director played some video games in his life) - everything looked incredibly tactile, weathered and believable. I would've loved to spend more time with beefed-up Matt Damon and his very real issues back on shithole earth, but unfortunately Elysium is in a real hurry to have the contrived plot kick in. Damon plays an orphan who always wanted to go to Elysium when he was a kid. Elysium is a man-made paradise with magic medical pods orbiting our polluted world. The place is ran by a cold-hearted, weirdly accented Jodie Foster who seems to be gunning for her first ever Razzie. Her first and last line of defense is the murderous earth-bound sleeper agent Kruger (Copley) who's of course also a rapist because why wouldn't he be.
Of course things don't quite pan out as little Max had planned. Grow-up Max isn't a citizen of Elysium. He's a criminal out on parole, working the assembly line of some rich Elysian suite's robot factory instead. One day he gets into an accident that leaves his body irradiated beyond repair and he's going to die within approximately 5 days. His only chance is to get his ass up to Elysium and into a med pod. Since a ticket to Elysium is way beyond Max's paygrade, he agrees to having a metal exo-skeleton drilled into his flesh and joins a bunch of freedom fighters on a risky mission: extracting the data stored in the brain implant of Max's boss on earth. Of course he gets way more than he bargained for and things quickly get out of hand.
I really wanted to like this movie, but there were just too many nagging issues I couldn't quite look past: Why go through all the trouble of putting a man into an awesome exo-skeleton if the most superhuman feat he ever does with it is pry open a safety harness? In Disctrict 9, Neill Blomcamp strapped Sharlto Copley into a super advanced alien mech so he could lay waste to an entire mercenary battallion. It was a huge payoff scene, both visceral and excellently choreographed. He didn't waste the mech on opening a garage door. Speaking of Copley's character. Was wanton destruction his entire deal or did I miss something? And why was he even there at all? Considering how Elysium is both run and populated by billionaires, who would even think about putting the safety of the station into the hand of a madman with a giant rocket launcher who isn't even on the thing. Also, why go through all the trouble of creating truly first rate visual effects if you're just going to obscure them with nauseatingly shaky camera work? I also thought Max's redemption at the end was incredibly cliched, entirely unearned and also rather unneccessary. Unlike Vikkus in District 9, Max doesn't really have much of an arc, so it kinda felt like they've thrown in a last-minute moral dilemma simply because of reasons. Or maybe because the story of the Hippo and the Mercat sounded way to cute to pass up.