Well we’re a just after halfway through A Quiet Place. We literally just had to have a break cause it was so bloody scary. That should give an idea of how scary this is. Brilliant.
Well we’re a just after halfway through A Quiet Place. We literally just had to have a break cause it was so bloody scary. That should give an idea of how scary this is. Brilliant.
Lol!Well we’re a just after halfway through A Quiet Place. We literally just had to have a break cause it was so bloody scary. That should give an idea of how scary this is. Brilliant.
Lol!
*watches movie*
*wow, I needs a break*
*lemme post about it in B3D*
*Ok, I'm ready again, bring it on!*
The BF needed his cigarette break haha!
I disagree, not even a full rendition of bohemian rapsodyif not just to hear a lot of Queen music.
Which would really be unnecessary.I disagree, not even a full rendition of bohemian rapsody
and there wasnt that much music in the film
I'm not sure if what you are addressing is the same thing, but there was a stylistic choice in the visuals where elements like depth of field blur were tweaked to resemble off register paper printing--where misalignment in the press can cause a fringe of ink dots belonging to one channel or another to shift slightly outside the ink lines. The effect of having fringes of one color like blue or red isolated like that was adopted by the film's production designer.Some layers of the scenes were also weird with some portions and backgrounds having blue/red edges like a 3D movie mixed in with normal models. It was a very mixed level of enjoyment for the visuals, but I loved most of it.
https://www.vanityfair.com/hollywoo...r-eggs-references-callbacks-behind-the-scenesEven a casual observer will be able to tell that Into the Spider-Verse looks more like a comic book than any other film—animated or live action—that came before it. Thought Bubbles, Ben-Day dots, and Hatching all deliver a distinct style. But viewers might not realize that the film’s background blur and occasional red and blue lines indicating a depth of field are an even more subtle comic-book reference. When developing the look for the film, production designer Justin Thompson drew inspiration from dye blur when “pages are printed off register.” As Rodney Rothman said: “We like the idea that we were taking things that were mistakes in comic books and making them part of the language of the movie.”
Yep that's exactly it, thanks. I know it was obviously a design choice but the details behind it are interesting. Personally I don't think it works well in motion and was very disorienting.I'm not sure if what you are addressing is the same thing, but there was a stylistic choice in the visuals where elements like depth of field blur were tweaked to resemble off register paper printing--where misalignment in the press can cause a fringe of ink dots belonging to one channel or another to shift slightly outside the ink lines. The effect of having fringes of one color like blue or red isolated like that was adopted by the film's production designer.
https://en.wikipedia.org/wiki/Deadpool_2#Once_Upon_a_Deadpoolwhats this Deadpool film
Once Upon a Deadpool
is it a proper film ?
No Uncanny Valley from the fake eyes?