Now that is revisionist! You're saying he brought down communism?
I think you'll find that people like the Beatles or Elton John were doing that long before Michael Jackson was heard of in the former USSR.
Your second paragraph has nothing to do with what you were responding to in the first one; Michael Jackson is not mutually exclusive with the Beatles you know. Nevertheless, yes what I am saying is that in terms of the climate in the 80's and the perception of the 'West' in the 'East,' Michael Jackson was almost the living embodiment of that gulf in freedom.
I'll quote from some sites I found today:
http://www.russiablog.org/2009/06/michael_jackson_russia.php
...Among many Russian leaders, the president of Chechnya, Ramzan Kadyrov said “I deeply grieve with the musician's relatives, friends, and fans because of the untimely passing of the outstanding man, unmatchable singer Michael Jackson, whose death ends the entire epoch of the world music culture.”
Michael Jackson was a household name in the countries of the former Soviet Union. During his visits to Moscow in 1993 and 1996, he was greeted as a head of state. Radio Free Europe writes that “his live concert in Moscow in 1993 sparked near-hysteria among scores of Russians hungry for a taste of Western culture.” One of my brightest personal memories from the Nineties is attending Jackson’s History Tour concert at the Dynamo stadium in Moscow in 1996. Today, hundreds of fans laid flowers and toys near the American Embassy in Moscow and in downtown St Petersburg to honor the idol. We all deeply grieve the untimely passing of the musician who influenced our lives and cultures...
http://timesofindia.indiatimes.com/...g-of-Michael-Jackson-/articleshow/4705147.cms
...The death of Michael Jackson gripped China on Friday, as fans spoke of how his music became the soundtrack for the nation's early years
of opening to the outside world nearly 30 years ago...
...His most popular album, "Thriller," was released here just as China opened its doors to the outside world in the early 1980s, giving the once-isolated nation its first taste of Western pop music, Wang said...
..."His contribution to mankind was overwhelming."...
Now ok - if when Elton John dies, there are Russians or Chinese lining up at the British embassy to lay down flowers and Eastern Bloc heads of state saying that the modern epoch of music has ended, then we can discuss the world as you see it (I like him just fine by the way). And these stories are just a drop among a torrential downpour of similar stories.
I dunno about that. Maybe some of us on this forum who were around at the time and have a wider view of art simply think that there are others more deserving of being considered at the pinnacle of music. Maybe people who play musical instruments and write their own songs. It's not like Michael Jackson didn't stand on the shoulders of others to get where he was. Without Stevie Wonder, Smokey Robinson, The Drifters, Otis Redding and many of the other Motown artists, would we have had a Michael Jackson?
Now now, I didn't say he was the pinnacle of
music, I said he was the pinnacle of his craft. Which I deem to be the fusion of production, song, dance, and raw entertainment. Stevie Wonder, The Drifters, Motown... none of them would begrudge him his greatness as so many here seem want to do while evoking these artists and their era. To say nothing of the fact that MJ earned his own way simply by virtue of his Jackson 5 days. In my mind it is no less bizarre than to refrain to the US moon missions as having been built on the shoulders of German rocketry efforts. Yes... but the achievement stands on its own.
Michael Jackson's fame and success - and consider the context of the time - was transracial, transnational, and transideological. It's not that it might have been a white girl screaming and shouting to hear this young black American sing - it's that it might have been a white Russian girl, or a Chinese girl.
While at the end of the day he may have been a great pop act, he never evolved with his audience. His musical style was stagnant, and I can think of many more people who's music spoke to me more, had a bigger impact on my musical listening, and was simply more relevant to the times.
No no no - rather than saying his music didn't evolve, I would rather say that what he created was timeless. It still holds up today, and his 'style' has formed the bedrock for the best of an entire new generation of performers. Now if his music didn't speak to you, well that's all a matter of preference; certainly I don't begrudge anyone that. It's not like he's my own #1 per se either, and I'm not interested in convincing anyone who is not fond of him to think otherwise. BUT, I do ask that his impact be acknowledged rather than diminished in a cynical dodge to "true" artists or somesuch. Singing, dancing, instruments... I don't view one realm of music as higher than another. It's like sculpting vs painting.
He was a pop act, a singer and dancer. He was famous and successful for a while, but in the end, I'm not sure a 50 year old man moonwalking and grabbing his crotch while squeeking and eeeking would have recaptured those times even for his fans.
He was
always famous...